Tuesday, November 23, 2010

Good Material

Dear Sir,

There's a reason writers say "Be careful or you'll end up in my novel," and here it is: We like to take truth, and real-world experience, and put it to good use. Sometimes we even embellish it. (We like flair, especially in prose.) This means I'll, somewhere, tuck an impolite government-office employee like you into a book I write.

You should know that, to explain this character's consistent and unsettling attitude, I'll build him as such: A 40-year-old and (always) single man who lives with his overbearing mother, finds himself gelled in the center of a mediocre career--wherein he treats his customers as if he's doing them some grand favor, when in actuality it's the whole of his job description--and who leads a sad and unsatisfactory life.

This is the kind of picture you paint. Or, at the very least, it's where you point my imagination.

Sir, would you have guessed you are good fiction fodder?

I do feel for you,
and I wish you the best (even though I cringe when I see it's you at the counter),
might even offer a holiday prayer for you,
Sincerely,

Janna Qualman
writer
and human
who only wants pleasant respect
but also a good story on paper

Monday, November 15, 2010

Little Things

I'm not the superstitious kind. Black cats bother me none. I'll walk beneath a ladder (and in fact did just yesterday), it doesn't worry me. I don't give much weight to horoscopes, either, or any of the rest of that jazz.

But I do enjoy, once in a while, a good fortune from those mild and tasty cookies.

After lunch yesterday, I cracked one of the little things open to read this:

You create your own stage and your audience is waiting!

Every so often a fortune just fits.

Create.
My audience is waiting.

Really, this one suits. And I'm keeping it on hand, just as a reminder. For encouragement.
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Come back later in the week - I'll have a video post to share.

Thursday, November 11, 2010

Facebook

Think about social media and the way it changes things. Never before has there been a time you could, at the click of a mouse, connect with your best friend from third grade. Your mom. Or your insurance agent. Or your child's grade school teacher.
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So where do you draw the line? With whom do you connect or not connect?
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We all have our own thoughts about this.
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As a writer my guidelines are a bit expansive. Not only do I connect with family and close friends, church family and old acquaintances, but with bloggers, authors, publishers and other industry insiders. People I'm genuinely interested in, and people I need to know, too. It's part marketing for myself and my writing. Networking.
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My daughters' art teacher is also my church sister. Under that latter premise we are connected on Facebook. We are part of each other's lives. What's curious is that I can see she is friends with all her co-workers--the other teachers who fill my daughters' days.
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Sometimes I think I'd like to connect with them, because I'm interested in who they are, in their lives, their comings and goings. We could be friends. You know, real pals. What's to stop us? And then there's the networking benefit, too, the getting my writing out there to as many people as possible.
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I haven't connected with them, because I don't want to cross that line. That professional school-is-school and home-is-home line.
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But is there a line? Even with the way social media has changed things?
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When has it ever before been appropriate for parents to connect with our kids' teachers, outside the school setting?
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Is it appropriate now? Since educators push the idea that parents and instructors really are a team who must work together?
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I'm not asking for advice, I just want to know your thoughts. How do you handle social media, and what's your personal rule for the connections you make?
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Monday, November 8, 2010

RQ 15

Do you have a mentor?

Tell me about him or her.

You can read about mine here.

Friday, November 5, 2010

Meet Stan Crader, Author and Family Friend

The place where my parents were raised, and where much of my extended family still lives, is smalltown America. Family-owned businesses, close-knit community, everybody's involved and it-takes-a-whole-village mentality. Sort of a throwback to wholesome, simpler times.
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Stan Crader loves to write about those times, of his boyhood in the country reaches of Missouri. Stan creates characters and pens stories based on a generation gone by, using his own rural experiences as backdrop. His novels, THE BRIDGE and PAPERBOY, were inspired by his growing up years.
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I recently connected with Stan, who grew up with two of my uncles (and considers them friends yet today). He works in management for a large company by day, and reminisces through the power of fiction by night.
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Stan, who is both funny and real as it gets, joins me here today for some Q&A, about working, writing, life, and the balance of it all. You can learn more about Stan and his books by visiting his website.
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Welcome, Stan!
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Tell me how many years you've spent working for a large company. And how do you reconcile or balance that career with your writing?
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SC: I grew up (or at least old) in this business. I first swept floors, then cleaned toilets, delivered farm equipment, worked on equipment, then worked in the shipping department, and eventually moved into management. The change was gradual but once I graduated from Mizzou, my responsibilities ramped up more rapidly. Let’s say I’ve been in management for 35 years. Ouch! As a manager I’ve experienced the introduction of computers into the business and then the internet. I really need a break. I’m not doing the next deal. That’s for the next generation – whatever the next deal is.
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I frequently tell others to strike a balance but I find my own advice difficult to take. I tend to be a workaholic and depend upon friends like your uncle Jack to call and convince me to do something fun. Don’t get me wrong, I have plenty of fun, it’s just that I can get too intense. I try to discipline and compartmentalize. That is, I try to keep work at work and writing elsewhere. However, that doesn’t mean I won’t autograph books and address envelopes while on a conference call. While at home I try to be mentally there but my wife will tell you that she frequently has to snap me out of it, so to speak. I don’t do balance very well. Sorry. I’m attention deficit and the best way to handle it is to stay busy. I sit down and watch TV but usually read a book and miss the program. We DVR everything so my wife can skip the commercials and playback things I missed but should have seen.
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Tell us how your "mature" age has affected your writing journey. And comment, if you would, on this quote by George Eliot: "It is never too late to be what you might have been."
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SC: Eliot was a goof. You are what you are regardless of how it’s manifested. Some are blessed with fine qualities and just go with it. Others must overcome shortfalls and work hard to overcome them. I’m a lousy speller, so I use a dictionary. Because I use a dictionary doesn’t mean I’m a good speller but that I spell correctly (when I actually use the dictionary). Alcoholics are alcoholics regardless of the consumption. You see what I mean? So, you’re never too old to do what it is God intended you to do, I like that better. I don’t know who said it first, maybe the Apostle Paul.
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My age has caused me to appreciate more. And not just the small things but everything. I appreciate an autumn mist more (small thing) and I certainly appreciate our armed forces more (big thing). I treasure more than ever those who helped this country become the greatest nation on earth. The older one gets the more of their friends they’ve lost. And with each loss grows the intensity with which one appreciates those who remain. (wow, that was deep – maybe pathetic) But years equal experience and seasoning. Think of age as an elevator: With each year you get a little higher and gain a broader perspective. Okay, enough babble.
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Janna: No, not babble. I like that very much.
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How long have you been writing knowing it was more than hobby, but particularly with interest in publication?
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SC: I’ve been doing business writing for a long, long time. And I actually won a couple awards for business writing. Another person here in the office made the application and forced me to go to St. Louis to receive the award. Hooboy. So, I’ve been at it a while. Business writing is easy, it’s simply getting facts down in as few words as possible. Novels are more difficult. It’s somewhat like lying, one must pay attention or the story gets all messed up. Writing is still a hobby, but one day it will define me. I began to take my writing a bit more seriously when people started telling how it touched them. The power of words is incredible. Very little of what I do can I say is work. Productive, yes? But I try to have fun in all that I do. I don’t like washing windows, that is work. And my wife tells me I must do it before our Thanksgiving company arrives. Crap!
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Tell us a little about why you chose self-publication. How might someone determine if it's the best method for their works? And, what are your long-term goals?
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SC: Unless you’re famous or infamous, plan to self-publish. I’ve worked very hard at getting published and it’s so time consuming. I like to write, I don’t like to try and convince others to publish my material. And few things raise my ire like an agent telling me my proposal isn’t in the right format or the pages in the right order. I’m a content person. I’m not so impressed with what someone wears as I am with what they have to say. I’d love to connect with a good agent and I think my work would make a good agent and publishing house some serious money, but I don’t have the tenacity to work the system. So, I’ll self-publish until my break comes. That break will be after one of my books gets seen by the right person. I’ll let God set that course in action.
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PAPERBOY, just out, is your second novel. What was your inspiration for this story? `
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SC: I was a Paperboy and learned so much about my customers. I didn’t realize until later how much I knew about people that few others knew. As a kid you think everyone else knows what you know. That’s not the case. And with PAPERBOY my goal is to make everyone realize that everyone has a redeeming quality and an untold story.
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Janna: Well done! I think that's so important in fiction.
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Do you have any other projects planned, or in the process of creation?
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SC: Yes! Fifteen: The Longest Year. I’ve started an outline for the next installment [in this series]. The boys are fifteen and one by one they’re turning sixteen. Fifteen is the longest year in a boy’s life. The boys are up to their antics but are also taking a high school class on George Washington with an emphasis on decorum.
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What advice might you have for any who've made their life in one career but dream of writing or another creative outlet?
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SC: Read some books and attend a conference on their desired second career. If you want to be an artist, join an artist’s club, go to art shows, read books on art, how to do art, and so on. Learn the fundamentals and then have fun. For example if you want to learn to play the piano, take a few lessons before jumping into Gershwin. The same goes for writing … read some books on how to write…
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Janna: Makes sense. Thanks! And now for a few fun ones...
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What's your favorite down-home meal, and who makes it?
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SC: Favorite meal…roast beef, potatoes, applesauce, asparagus, cherry pie – my wife is the best cook in the world…she really is, others say it too, my sister is a close 2nd.
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Janna: Sound delicious, every bit of it.
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If you could have chosen to live as Opie or the Beave, which would you have been and why?
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SC: Beave – but that’s a tough one. For one thing Beave still has hair. Beave’s house was air conditioned and Opie’s was not. Opie didn’t have a mother. Beave had a dream mom – she died a couple weeks ago... Beave had a neighbor and lots of friends. Opie hung out at the jail too much. But then it would be cool to have a Sheriff or policeman as a father. Actually, I’d rather be Wally.
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Janna: Oh, now there's an aspiration. He was definitely the cutest. ;) And last but, you know, not least...
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Care to share a memory of your childhood friends and my uncles, Bill and Jack?
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SC: I’m short, Bill and Jack are both tall. And for that I don’t like either one of ‘em (joking). It’s not fair that they should get so tall and I’m so short. Your uncle Jack and I both had old cars while in HS. The cool thing to do at the time was to race your car against others in the quarter-mile. Neither of our cars would break the speed limit in the quarter-mile so there was no sport. Interesting, Jack’s car would peel out and get 2nd gear scratch, while my car barely made a peep, we’d cross the marker together. So, to make it a sport we’d race going backwards. Sometimes we’d race until our engines overheated. To this day I can back a car at high speeds around curves and about anywhere thanks to the prowess developed on the Woodland High School flats in a 1962 Chevy Nova with a 190 cubic inch motor.
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Janna: My husband did the quarter-mile races, too! I think it's crucial to a teenage boy's existence.
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SC: That wasn’t the dumbest thing we ever did… don’t ask.
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Okay, promise. At least until the next time I'm with Uncle Jack...
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Stan, thank you so much for the time and answers you've given here. I enjoy your insight (and sense of humor), and I wish you much success with writing and all your endeavors.
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Something else worth mentioning is that Stan and his wife, Debbie, have chosen a charity to receive the net proceeds from sales of PAPERBOY: Melaina's Magical Playland. Very cool.
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You can learn more at Stan's beautiful site, StanCrader.com.

Wednesday, November 3, 2010

Thirty-Two

Today is my birthday, and I am thirty-two.

The number does not sink in for me, because how is this turning of numbers possible? Three decades and two years, a good husband, two kids (really? my very own?), a house with a dog (and a Madagascar hissing cockroach, which I have not told you about before), the best friends and connections a girl could ask for, a whole amazing childhood plus some adulthood tacked on, gobs of mistakes, and accomplishments. This worth of life just doesn't seem plausible.

But I like getting older. I like what time has done to my face, making it more womanly, I see. And I like that time helps me learn myself, to understand my personality and my purpose and come to accept it all. I feel the bud of that little bit of wisdom that comes with life under your belt.

I also don't like getting older. Not so much because of the wrinkles, the easier aches and the greater intention with things like exercise (those things I just sort of allow to enter the door with me), but because everything and everyone around me gets older, too. It's hard to see things dilapidate; the things and places that have defined me. It is hard, too, to see loved ones, well, dilapidate.

It's my first birthday since my dad died. Today he won't call first chance he gets to say, "Happy Birthday, JD." It is better this way. He is safe and he is comfortable now, and I don't wish his pain back just so he could call me. But I miss him, it's been five and a half months, and the missing grows stronger. It has me so sensitive, especially today.

I didn't plan on its sadness when I sat with this post in mind. Really, I was going to write it hopeful and with pride. It is a day to be happy, a day to celebrate, this I know, because I am blessed and my life is filled with love and meaning. But the sad gets me, too. I try not to let it overwhelm me, but sometimes I've no say in that matter. Such is (my) life, this is one of those things I've learned.

And so now how do I end this big long thing? I have no jokes, no fancy quotes today. A summary of my feelings would be lame. Sometimes I think my laying everything out for you to read just so must be exhausting.

How about I smile at you. That's all.

Thanks for listening. And thanks for being a part of this life of mine.

Thirty-two.